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Mark Phillips, composerWork Address:School of Music Ohio University Athens, Ohio 45701 (740) 593-4244 — office secretary (740) 593-1629 — teaching studio Home Address: email: phillipm@ohio.edu Distinguished Professor of Music (awarded 2007)Pi Kappa Lambda Composer of the Year (2006) Ohioana Music Citation award winner (2005) event photo Ohio University Presidential Research Scholar (1999–2004) Biography |
(SoM P&T page) |
| Recent Composition Projects | Mark's Music Links | Class Information |
| Teaching Schedule | MaxMSP
resources |
MIDI Lab Schedule |
| Assistantship Opportunity | Professional Vita |
Press Articles & Interviews |
| Music
178 & 178A — Computer Skills for Musicians
-- taught every quarter Note: 178 is for Music Majors; 178A is for non-majors Current Quarter Course Materials: (PDF) Syllabus for Music 178 (music majors) section Syllabus for Music 178A (non-majors) section -- Links to generic html course outline (i.e. no project due dates assigned) Music 178 (majors) class outline and Music 178A (non majors) class outline |
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Music 304 — Instrumentation --
taught only fall
quarters Fall 2006 material: |
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Music 413/513 — History
and Practice Electronic Music --
taught only winter
quarters Winter 2007 materiall:
see also Electro-Acoustic Music Primer other resources Digital Audio Primer and Basic FM Synthesis on the DX7
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Music 415/515 — Computers
and Music --
taught only spring quarters
Spring 2007 material: see also Mar(x)Tutorials |
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Independent Project in Electronic Music — Music 416/516 -- offered every quarter Prerequiste: Music 178 or 178A; may be taken multiple times for credit.416&516_Syllabus.pdf |
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Advanced Projects in Electronic Music — Music 416A/516A -- offered spring quarters; and as needed Prerequiste: Music 416/516 and permission. |
| Ma(r)xTutorials **new
version** 2007 A set of Max tutorials for beginningers. It contains a collections of small demos and examples that could serve as tutorials and/or models for students just beginning to learn Max. For the most part they are pretty well documented. It is intended to suppliment the tutorials that come with the program. Download links: Ma(r)xTutorials.zip (ca. 84k) — for "zip" compression for OS X or Windows (Windows users -- Good luck! I have no way of doing detailed tests.) NOTE: This file is a single large "multi-layered" patch
--
not
a stand alone application. It requires that you have installed
the
full Max program (or at least a demo of the progam) or the freely
distributed MaxPlayer.
I assume it will work under both Mac and Windows operating sysytems,
but I have no way of testing on Windows. I've also created a small Index
of the patcher names used in the tutorial (in "pdf" format). |
| Electro-Acoustic
Music Primer <>Electro-Acoustic Music PrimerX: (c. 5.5 MB) *** New version (2007) *** (a ".zip" compressed archive) -- Created using MaxMSP 4.6.2 from Cycling'74. (Written on a G5 running Tiger OS, tested and runs easily on a modest G4 platform, too.) This is a "stand
alone"
Mac application (Windows users scroll down a further for a version you
can use) designed to help teach some basic audio principles and
common synthesis techniques to beginning students. There is also
a ProjectSynthPack module with a some modestly more elaborate
demonstration synths and audio file manglers. My students use
them as a resource for their first electronic music mini-projects. Pierre'sPlayhouse got a substantial overhaul. (It's now a little easier to get started with it. A couple of pre-loaded samples are included to get you going quickly and there's a little more documentation. Several small refinements make the patch a little more predictable and intuitive, too. It also now has an optional pop-up sub-patch that implements wide range of stereo panning features.) ***Previous improvements from OS 9 version: Oscilloscopes were added to several modules that previously did not have them. MIDI control and sound file record/playback were added to all of the modules in the "Filters&LFO_Modulation" heading. A few more comments, explanations, and some "preset" demos were added throughout, while an attempt was made to standardize the look and feel of the modules a bit more. Below is a link for downloading all the individual
modules. Windows users should use this link. Mac user who
need (or want) to
do
their own compiling, for whatever reason, should use it, too.
Anyone with a full copy of Max/MSP 4.6.2 (either platform) can also use
this link to look "under the hood" and see everything about how all the
modules work. This is obviously not a stand alone application. It requires that you install the full Max program (a free demo of the progam is available) ...OR ... the freely distributed MaxPlayer. (Windows users — Good luck! I have no way of doing detailed testing. Several of my windows students have gotten these things to work, though, so that should give you some encouragement.) PluggoVST.zip (ca. 320k) — This file is a collection of VST plug-ins derived from the ProjectSynth module of my E-A_MusicPrimer. Contents include the following: AdditiveSynth, FM-Synth, DeepSpace (automated sine waves), ModWheelMayhem, ModWheelScales, NoiseySynth2, PannerDeluxe, and Pierre'sPlayhouse. NOTE:
To use this set of plug-ins you need to download the free run-time
version of Pluggo
from the Cycling'74 site. Then place the plugin modules in a
folder named Pluggo and place that folder in the folder with your other
VST plug-ins. Then launch your VST host application.
also available: (old "legacy" OS 9 version) Electro-Acoustic Music Primer: (ca 600k) old OS 9 version E-A MusicPrimerFolder.sit (ca. 100k) — OS 9 version |
Useful Utility Application: a Max/MSP-based 5.1 Studio Tester stand alone application: StudioTester.zip simple patcher: StudioTestPatch.zip (re-configurable if you have Max/MSP) I designed to be useful for checking to see that all signal paths are good, that and levels and frequency, response, etc., are consistent; that all speakers are all working properly, where the sweet spot is for monitoring, etc.. Easy access to your choice of white or pink noise ... or whatever external source you want to plug in; instantly route to any combination speakers; switch speakers on and off with ease; instantly "kill" all speakers, etc.. In combination with some analysis programs, we have used it recently as a resource when checking room coloration, frequency nodes, and reverb decay. |